New kinetic cube sculpture installed on U-M’s North Campus

August 31, 2017
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ANN ARBOR—The University of Michigan’s North Campus has received its most recent piece of artwork and it’s meant to not only catch your eye, but really make you think.

The sculpture was installed at the entrance to the G.G. Brown Building on Hayward Street, home to the U-M Department of Mechanical Engineering.

The 14,000-pound, 25-foot-tall kinetic sculpture, “3 Cubes in a Seven Axis Relationship: Homage to DS and GR, 2016-2017,” is the work of Northern Californian artist Philip Stewart. The sculpture was commissioned by the U-M College of Engineering in honor of the late Charles Vest, a U-M alumnus and former dean of the U-M College of Engineering, U-M provost, president of MIT and president of the National Academy of Engineering.

Philip Stewart, Pinwheel artist, speaks with John Keedy, CoE Facilities Director, speak outside before the installation of the sculpture "3 Cubes In A Seven Axis Relationship". Image credit: Joseph Xu, Michigan EngineeringPhilip Stewart, Pinwheel artist, speaks with John Keedy, CoE Facilities Director, speak outside before the installation of the sculpture “3 Cubes In A Seven Axis Relationship”. Image credit: Joseph Xu, Michigan Engineering“When Chuck was dean, he had an interest in establishing a collection of artwork on the University of Michigan’s North Campus,” said Alice Simsar, a fine art consultant who works with U-M. “That’s why this gift in his name is so fitting. An official dedication of the sculpture will be planned in connection with the U-M mechanical engineering department’s 150-year celebration in 2018.”

This isn’t the first time Stewart has been involved with a piece of art on the U-M’s North Campus. He worked with fellow sculptor and mentor Kenneth Snelson on the fabrication of “Indexer II, 1999-2000,” located on Bonisteel Road near the reflecting pool.

“This sculpture draws on the work of David Smith and George Rickey,” Stewart said. “Smith explored the composition of simple geometric forms to imply motion. Rickey followed by introducing actual motion to the composition of simple geometric forms, and I have attempted to take the trajectory of their explorations to the next level employing 21st-century tools to the age-old process of sculpture.”

Stewart’s sculpture took nearly two years to complete—at times seclusion and lots of testing (even in winds up to 115 miles per hour) were necessary to make sure it could stand up to the elements.

“Sculpture in the built environment is incredibly important because everyone has their own relationship with it,” Stewart said. “I enjoy creating pieces that engage not just one type of person, but everyone. This sculpture will be something engineers can problem solve and three-year-olds will stare at in wonderment.”

The Hayward Street entrance to the G.G. Brown building is the perfect home for the new sculpture, according to Stewart. He hopes the work will inspire young engineers to think outside of the box. With equal parts imagination and engineering, the possibilities are limitless.

“Artists are similar to engineers in that they, too, are problem solvers,” Simsar said.